This article looks at issues of power in the relationships between the organizers of three city-wide book reading projects on the one hand, and their communities, funders, and partners on the other. We contend that a discourse of “organizational le- gitimacy” emerges from an analysis of discussions with the organizers of the reading programs. Or- ganizational legitimacy here demonstrates that the power effects are self-regulated, as well as externally introduced, and that it has both strategic and ideological implications. Our identi (...) cation and subsequent analysis of this speci c discourse was achieved through the application of a critical discourse analysis (Van Dijk, 1993) designed to locate power and privilege in the production and reproduction of discursive language. We expand this analysis to employ a Foucauldian understanding of power in our analy- sis of the management strategies of libraries and partner organizations in book reading projects. Emerging from the discursive language highlighted in our analysis is a discourse of legitimacy re ec- tive of a broader social discourse of capitalism. This discourse highlighted participation, democratic process, and funding concerns for individ- ual participants as they tried to explain, describe, rationalize or question the “legitimacy” of their organization or initiative. This approach problematizes legitimacy as a discourse and allows for connections between the broader social discourse and the enactment of discourse at the local level. (shrink)

About Antiquities: Politics of Archaeology in the Ottoman Empire. By Zeynep Çelik. Austin: University of Texas Press, 2016. Pp. xi + 268, illus. $27.95.

The last decade has seen a dramatic increase in interest in the extent to which morphological evolution depends on changes in regulatory pathways. Insects provide a fertile ground for study because of their diversity and our high level of understanding of the genetic regulation of development in Drosophila melanogaster. However, comparable genetic approaches are presently possible in only a small number of non‐Drosophilid insects. In a recent paper, Hughes and Kaufman(1) have used a new methodology, RNA interference, in the milkweed (...) bug, Oncopeltus fasciatus, to phenocopy the effects of mutations in Hox genes. RNA interference involves the injection of double‐stranded RNA of the same sequence as the relevant mRNA resulting in a depletion of that transcript.(2) Hughes and Kaufman focused on the gnathal segments, which elaborate specialized appendages important to feeding. Their results indicate that gnathal adaptations in this bug are correlated with changes in Hox gene functions and interactions. BioEssays 23:379–382, 2001. © 2001 John Wiley & Sons, Inc. (shrink)

Štúdia interpretuje udalostnú hermeneutiku francúzskeho fenomenológa Clauda Romana, ktorú postuloval v publikáciách Udalosť a svet, Udalosť a čas a Tam je, a to cez prizmu umeleckej skúsenosti. Štúdia si kladie za cieľ interpretovať pojmy ako udalosť, advenant, ex-per-iancia, rekonfigurácia a ničota a poukázať na ich súvislosť s umením. Pracovná téza je: Advenant býva umelecky. Cieľom štúdie tak nie je len analýza a pred-stavenie Romanovho diela, ale aj vyzdvihnutie tendencií smerujúcich k chápaniu udalosti a advenanta v umeleckých kontúrach. Štúdia preto analyzuje (...) autorov kontext, ktorý tvorí fenomenologická hermeneutika, predovšetkým diela Martina Heideggera a Henriho Maldineya. V súvislosti s rekonfiguratívnym aspektom advenantovho bytia sa v štúdii stáva ústredným konceptom pojem figúry, z ktorého následne vyplýva problém herectva. (shrink)

Štúdia interpretuje udalostnú hermeneutiku francúzskeho fenomenológa Clauda Romana, ktorú postuloval v publikáciách Udalosť a svet, Udalosť a čas a Tam je, a to cez prizmu umeleckej skúsenosti. Štúdia si kladie za cieľ interpretovať pojmy ako udalosť, advenant, ex-per-iancia, rekonfigurácia a ničota a poukázať na ich súvislosť s umením. Pracovná téza je: Advenant býva umelecky. Cieľom štúdie tak nie je len analýza a pred-stavenie Romanovho diela, ale aj vyzdvihnutie tendencií smerujúcich k chápaniu udalosti a advenanta v umeleckých kontúrach. Štúdia preto analyzuje (...) autorov kontext, ktorý tvorí fenomenologická hermeneutika, predovšetkým diela Martina Heideggera a Henriho Maldineya. V súvislosti s rekonfiguratívnym aspektom advenantovho bytia sa v štúdii stáva ústredným konceptom pojem figúry, z ktorého následne vyplýva problém herectva. (shrink)

This article argues that the use of genetic testing to determine eligibility for worker compensation and/or social security disability benefits would seriously undermine the social purposes of the laws.

In addition to disability insurance purchased privately by individuals or employers, three other major types of disability insurance are available: Workers’ Compensation, Social Security Disability Insurance, and Supplemental Security Insurance. The first two, Workers’ Compensation and SSDI, are available to individuals with work connections. The third, SSI, does not require a work connection.Workers’ Compensation laws were initially passed to provide economic protection for workers and their families when a worker suffered an accident on the job resulting in an injury. The (...) first laws passed were subject to court challenges based on their constitutionality. Ultimately courts approved the constitutionality of the Workers’ Compensation laws rationalizing that the laws created a compromise whereby an employee gave up her right to sue for a tort recovery in exchange for the employer's agreement to pay benefits without regard to the cause of the accident. (shrink)

This collection brings together a selection of writings on art by the internationally acclaimed novelist, historian and critic Marina Warner. For 30 years Warner has published widely on a range of art-world subjects and objects, from contemporary installation and film works to paintings by Flemish and Italian Renaissance masters, through Victorian photography and twentieth-century political drawings and prints. Warner's extraordinary curiosity in art and culture is conveyed in writing that is at once poetic and playful, elegant and rigorous, training our (...) eyes on the smallest of details while painting a broad-brushstroke landscape of art past and present. Themes familiar to Warner's readers--myth and fantasy, psychic and sexual experience, the vast and marvelous expanse of the human imagination--are treated in the lectures and articles, stories, interviews and essays contained here, some of which are published for the first time or republished from out-of-print sources. For the first of two volumes, editor Vivian Sky Rehberg has assembled themed sections titled "Playing in the Dark," "Telling Tales" and "Phantom Technologies." Texts include interviews with Tacita Dean and Paula Rego; catalogue essays on Leonora Carrington, Henry Fuseli, Zarina Bhimji, Tony Oursler and Fischli/Weiss; articles on Tracy Emin, Marlene Dumas, Louise Bourgeois; stories for artist's books by Kiki Smith and Helen Douglas; and lectures on Francis Bacon, Hieronymous Bosch and William Kentridge. "The Symbol Gives Rise to Thought" invites us to explore new ways of seeing and engaging with the traces of our artistic heritage. Marina Warner is a writer of fiction, criticism and history. Holder of 12 honorary degrees and two honorary fellowships, Warner is a Fellow of the British Academy and of the Royal Society of Literature. She has judged the The Jerwood Drawing Prize and the Turner Prize; she is a regular broadcaster on the BBC, and has taught and given lectures worldwide, including the National Gallery and ICA, London and the Prado in Madrid; she has delivered the Presidential Lecture at Stanford University and the Carpenter Lecture at Harvard. She has been awarded a CBE, Chevalier de l'Ordre des Arts et des Lettres, France and Commendatore dell'Ordine della Stella di Solidareità, Italy. Warner is a winner of the Aby Warburg Prize and a Getty Scholar. Vivian Sky Rehberg is an art historian and critic based in Paris and Rotterdam. A founding editor of "Journal of Visual Culture," she is a contributing editor of "Frieze," and has written for numerous contemporary art publications. Previously Chair of the department of Critical Studies at Parsons Paris School of Art + Design, where she taught modern and contemporary art, Rehberg is currently Course Director for the Masters in Fine Art at Piet Zwart Institute in Rotterdam.. (shrink)

Name der Zeitschrift: Deutsche Zeitschrift für Philosophie Jahrgang: 64 Heft: 5 Seiten: 796-805.

This dissertation seeks to substantiate the thesis that Nietzsche's physiological thinking constitutes a radicalisation of Kantian critique. To this end it attempts to mark out some of the salient points of the latter project and to examine the ways in which it falls short of its own potential radicality. In chapters one and two the categories of relation - in which Kant articulates his theory of the temporal connection of phenomena explicitly - are traced through the Analytic and Dialectic of (...) the Critique of Pure Reason and are read against the Deduction of the Pure Concepts of the Understanding which implicitly contains another theory of time. Since the Critique of the Teleological Faculty of Judgement complements Kant's theory of the temporal cohesion of phenomena, the third chapter offers a reading of it under the aspect of its relation to the wider project of critique. Chapter four draws together the multiple strands around which Kantian critique can be shown to mutate into Nietzsche's philosophical physiology and the theory of temporality implicit in it. Finally, Nietzschean physiology is presented in terms of his thinking of the becoming of matter, in terms of the will to power as eternal recurrence. (shrink)

This collection brings together original essays on a wide variety of topics in the broad area of Nietzsche and Phenomenology. Some of these papers take a thematic approach, thinking through key issues that connect or divide Nietzsche and phenomenology, while others approach the conjunction of the title via an encounter between Nietzsche and one of the central figures of the phenomenological tradition or other relevant philosophers. In either case, new and often surpising connections are uncovered in many of these essays, (...) while others bring out the profound differences and discontinuities between aspects of Nietzsches project and the projects of phenomenologists. Through both of these general tendencies, significant new insights are won that broaden our understanding both of the work of Nietzsche and of twentieth-century phenomenology. The international group of scholars gathered here, all of whom are steeped in the history of philosophy and particularly in the works of Nietzsche, includes some of the most important figures in contemporary continental philosophy, as well as some as yet relatively less well-known scholars. All are equally driven by the desire to get back to the things themselves, or the matter of thought, or however else that which incites us to think may be called. (shrink)

The question of Nietzsche’s use of political theory has a long and vexed history. The contributors of this book re-situate debates around the notion of difference, in relation to historical and scholarly concerns, but with a view to the current political context. Given that today we are faced with a host of political challenges of domination and resistance, the question raised in this volume is how Nietzsche helps us to think through and to address some of the problems. The authors (...) also discuss how his writings complicate our desire for swift solutions to seemingly intractable problems: how to resist slavishness in thought and action, how to maintain hard-won civil liberties and rights in the face of encroaching hegemonic discourses, practices and forces, or how to counteract global environmental degradation, in short, how to oppose ‘totalitarian’ movements of homogenization, universalization, equalization, and instead to affirm, both politically and ontologically, a culture of difference. (shrink)

Nietzsche's early work on culture and tragedy proved influential on subsequent art and aesthetics; the relation between the Apollonian and Dionysian is central to this work. However, that relation is widely misunderstood, especially in its connection to Nietzsche's conceptions of Socrates and modernity. This paper contributes to the rectification of misunderstandings by demonstrating the proper way of understanding these relations. The analysis proceeds by way of a phenomenological treatment of the distinctive structure of the Apollonian. The analysis is reinforced by (...) showing how Nietzsche's later work on the nature of cultural production and change reflects and depends upon it. (shrink)

The first part of the article discusses the conditions under which the “school” of thought known as “philosophical anthropology” arose and the relevance today of the problems it posed, concluding with a look at the recent prevalence taken by biological research. The second part examines the conceptions advanced by its leading figures, Max Scheler, Helmuth Plessner and Arnold Gehlen, and shows how each of them contributed to a “sociologization of anthropological knowledge.” On the basis of this analysis, philosophical anthropology proves (...) itself capable of making a significant contribution to an interdisciplinary understanding of the conditions of human life and to reflection on the foundations of sociological research and social theory. (shrink)

This volume collects new writing on Kant. It offers a broad overview of Kant's importance to and influence on the continental philosophical tradition - the tradition which derives its impetus from Kant's project as developed and rethought by such figures as Heidegger, Derrida and Irigaray.

One of the central notions running through Heidegger’s oeuvre, early and late, is that of ‘world.’ By examining some issues and problems surrounding Heidegger’s statements relating to ‘world’ in his essay “The Origin of the Work of Art,” both aspects of Heidegger's broader trajectory of thought, as well as the workings of the artwork essay itself are thereby illuminated. Several, partially competing senses of ‘world’ are discovered in “The Origin of the Work of Art,” and their provenance traced to specific (...) concerns of Heidegger. In a hermeneutic strategy of immanent critique, the artwork essay is shown to harbour the resources for its own deconstruction, and to do so precisely at certain aporetic textual points centred around the concept ‘world.’. (shrink)

The powerful combination of genetic, developmental and molecular approaches possible with the fruit fly, Drosophila melanogaster, has led to a profound understanding of the genetic control of early developmental events. However, Drosophila is a highly specialized long germ insect, and the mechanisms controlling its early development may not be typical of insects or Arthropods in general. The beetle, Tribolium castaneum, offers a similar opportunity to integrate high resolution genetic analysis with the developmental/molecular approaches currently used in other organisms. Early results (...) document significant differences between insect orders in the functions of genes responsible for establishing developmental commitments. (shrink)

ABSTRACT This article examines the under-researched figure A.W. Rehberg in his exchange with Kant over the relationship between theory and practice in the philosophy of right. I argue that Rehberg raises, what I call, two problems of political matter which attempt to show that Kant's overly formal approach to political theory cannot justifiably determine political practice. The first problem is the problem of positive determinations of right, rather than merely negative prohibitions. Rehberg takes this to mean that (...) Kant cannot determine us to a specific form of constitution. I argue that Kant's innovation of intelligible property functions as a response to this critique in that it provides the possibility of synthetic propositions of right a priori. Second, Rehberg insists that an a priori system of right cannot relate to already formed historical communities. Here Kant's response comes close to agreeing with Rehberg as Kant takes prudential or historical reasoning to harmonize with the demands of a priori right in order to applied to the sensible world. Kant, in this instance, comes closer to Rehberg by denying centralized enlightened monarchy and the reliance on natural and historical development for the application of right. (shrink)

ABSTRACT This is the first English translation of A.W. Rehberg's Über das Verhältnis der Theorie zur Praxis which was a published as a response to Immanuel Kant's On the Common Saying: That may be correct in theory, but is of no use in practice. Rehberg's response appeared originally in February 1794.

Scholarship on Kant's practical philosophy has often overlooked its reception in the early days of post-Kantian philosophy and German Idealism. This volume of new essays illuminates that reception and how it informed the development of practical philosophy between Kant and Hegel. The essays discuss, in addition to Kant, Hegel and Fichte, relatively little-known thinkers such as Pistorius, Ulrich, Maimon, Erhard, E. Reimarus, Reinhold, Jacobi, F. Schlegel, Humboldt, Dalberg, Gentz, Rehberg, and Möser. Issues discussed include the empty formalism objection, the (...) separation between right and morality, freedom and determinism, nihilism, the right to revolution, ideology, and the limits of the liberal state. Taken together, the essays provide an historically informed and philosophically nuanced picture of the development of post-Kantian practical philosophy. (shrink)

How can we imagine a future not driven by capitalist assumptions about humans and the wider world? How are a range of contemporary artistic and popular cultural practices already providing pathways to post-capitalist futures? Authors from a variety of disciplines answer these questions through writings on blues and hip hop, virtual reality, post-colonial science fiction, virtual gaming, riot grrrls and punk, raku pottery, post-pornography fanzines, zombie films, and role playing. The essays in Art as Revolt are clustered around themes such (...) as technology and the future, aesthetics and resistance, and ethnographies of the self beyond traditional understandings of identity. Using philosophies of immanence – describing a system that gives rise to itself, independent of outside forces – drawn from a rich and evolving tradition that includes Spinoza, Nietzsche, Deleuze, and Braidotti, the authors and editors provide an engrossing range of analysis and speculation. Together the essays, written by experts in their fields, stage an important collective, transdisciplinary conversation about how best to talk about art and politics today. Sophisticated in its theoretical and philosophical premises, and engaging some of the most pressing questions in cultural studies and artistic practice today, Art as Revolt does not provide comfortable closure. Instead, it is understood by its authors to be a “Dionysian machine,” a generator of open-ended possibility and potential that challenges readers to affirm their own belief in the futures of this world. Contributors include Timothy J. Beck, Mark Bishop, Dave Collins, David Fancy, Veronica Pacini-Ketchabaw, Malisa Kurtz, Nicole Land, Eric Lochhead, Douglas Ord, Joanna Perkins, Peter Rehberg, Chris Richardson, Hans Skott-Myhre, and Kathleen Skott-Myhre. (shrink)

Fichte als politischer Schriftsteller - Fichtes Leben bis zur Berufung nach Jena - Fichtes vorkantische Zeit: Zufällige Gedanken und Aphorismen über Religion und Deismus - Die Revolution im Kopf - Kant und die Aktualisierung des revolutionären Engagements - Abstraktes Naturrecht und die Kategorie des emanzipierten bürgerlichen Bewußtseins: Gesellschaftsvertrag - Montesquieu und Rousseau - Theodor Schmalz: Das reine Naturrecht - Polemik gegen den Konservatismus: August Wilhelm Rehberg - Die Zurückforderung der Denk freiheit - Ober die Achtung des Staates für die (...) Wahrheit - Der Beitrag zur Berichtigung der Urteile des Publikums über die französische Revolution - Poli tiktheoretische Probleme der Revolutionsschriften: Staat und Gesellschaft - Freiheit und Gleichheit - Utopie - Der revolutionäre Vernunftbegriff und die Aktualität Fichtes. Zu Beginn des Krieges Preußens und des verbündeten Rußlands gegen Napoleon im Jahre 1806 erreichte die preußische Regierung ein Schreiben des Professors J. G. Fichte mit der Bitte, ihn zur moralischen Unterstüt zung der Armee als Redner mit ins Feld ziehen zu lassen. Das Gesuch, das die Behörden zweifellos in Verlegenheit gesetzt hat, wurde abgelehn- diese Art der Truppenbetreuung schien den Zuständigen damals nicht von so großer Bedeutung; eine Stelle, wie sie der Professor wünschte, zu schaf fen, waren sie weder bereit noch in der Lage. Fichte ließ sich dadurch nicht entmutigen; als die Regierung nach Königsberg auswich, folgte er ihr in der Absicht, auf jeden Fall beim preußischen Hof, seiner anerkann ten Obrigkeit, auszuharren. (shrink)